The
characters in The Jungle Book (1967)
can easily be categorized into either “good” or “bad.” This polarization helps children
understand the story and the morals more clearly, even if it isn’t an accurate
representation of how good and bad operate in the real world. For adults, truth
in cinema is found in the complexities of representation because it can then
act as a mirror for the complexities of reality, but for children media must
act as a key for them to refer to in order to understand the complexities of
the world, which is why characters are often polarized. When they’re being
naughty or rambunctious, they have the apes to identify with, and when they see
the good concern of a parent, they have the reference of Bagheera.
Mowgli learns
several different lessons from different characters on the way to the man
village. With Bagheera, he learns (and rejects) his identity as a man and the
responsibilities that go with it; with Baloo, he learns how to relax and enjoy
life; with Kaa he learns that not everyone is trustworthy; with the elephants
he learns how to follow orders; with the apes he learns that man is envied and about greed; with
the vultures, he learns that friends are for picking you up when you’re feeling
down; with Shere Khan he learns about the power of fear; and finally with the
girl from the village he learns about the attraction of being among other
humans (and puppy love for cute girls).
Ultimately,
The Jungle Book is a coming-of-age
story, which is really a specific brand of morality tale. As he travels through
the jungle, Mowgli learns the things he’ll need to know to be a man—friendship,
relaxation, responsibility, caution, greed, discipline, and even his own
identity as a human. Mowgli, morally neutral (well…generally good) at the
beginning navigates his way between naughty and good, partying with the apes
and standing up to Shere Khan. Even Baloo and Bagheera learn lessons from each
other, Bagheera learning how to unwind and take things less seriously, and
Baloo learning responsibility and when to take a firm hand. Mowgli’s arrival at
the man-village, including his attraction to the girl he finds there, marks his
arrival at manhood.
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