My
collection of photos attempts to capture the nostalgia and tender memories of
being young. The precise delicateness of the piano in the song evoked images of
innocence and the pure life children see and experience. I drew heavily upon my
own childhood memories of music and family. As a child, as hopefully as an
adult as well, your family is your whole world and their influence defines how
to understand life and what it should be like. For me, I was constantly
surrounded by music, by my mom playing the piano or violin and by recordings
and movies. Annie Dillard in her essay “Seeing” noted how we are each
specialist seers, that the geologist will see fossils where we just see gray
rock, and I believe that children are a kind of specialist. Not only do they
have the innocent ability to see “color-patches” of a simpler, flatter world,
but they also can focus in on one element and give it all their attention. One
note on the piano can fascinate a toddler for minutes on end (an eternity in
their world), as they marvel at the fact that pushing one key down can create such
a large sound.
This is why many of my photos have a
close frame, as children turn all their attention on one detail at a time. I
chose warm reds, oranges, and yellows to reflect the brightness and
thoughtfulness of the song and in turn the natural optimism of children. In my
selection of photos, I tried to capture both the perspective and emotion of
childhood. Hand drawings and block magnetic letters reflect the colorful
imagination of a child and the simplicity of their world view, just as the song
begins with a simple melodic line. Intricate details such as depth of field and
spelling aren’t important to understanding the concept of a sunrise or family.
Other photos reflect the feeling of
closeness, family, and places of safety. As the song adds more layers of percussion,
strings, and melody, the scope of the pictures expand from the perspective of
the child to include family and environment. Many of my feelings of family and
home are rooted in the music room. Musical instruments and singing has always
brought my family together and is a place of light, warmth, and magic. Sisterhood
and a place to keep all your stuffed animals define childhood belonging.
In the movie, You’ve Got Mail, Kathleen Kelly says, “When you read a book as a
child, it becomes part of your identity in a way that no other reading in your
life does.” I believe the same is true for music and the impressions of family.
A child’s view of the world may be “color-patches” but these unsophisticated
impressions of shape and color serve as the foundation for their ability to “see”
as an adult.
Music: http://youtu.be/oVHyvXUQZ30 -- Long Long Ago, Jon Schmidt
Music: http://youtu.be/oVHyvXUQZ30 -- Long Long Ago, Jon Schmidt
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